Twistit urban street entertainment1/9/2024 "My Beautiful Dark Twisted Fantasy" was released on November 22, 2010. Now, "Pure Heroine" wouldn't have been the top contender (or rightful winner) in that category that honor belongs to Taylor Swift's "Red." But especially in retrospect, its absence seems disrespectful to Lorde's impact on the modern wave of electro-pop. It didn't even get the chance to compete for AOTY, overlooked in favor of inferior albums by Sara Bareilles and Macklemore. 11 on Insider's list - lost its bid for best pop solo album to Bruno Mars' "Unorthodox Jukebox." "Pure Heroine" - another decade-defining yet underappreciated album, ranked at No. Of course, "Royals" deserved everything it got (and more), but the song is just one piece of Lorde's influential debut. Lorde was nominated for four Grammys in 2014 and won two: song of the year and best pop solo performance for her breakout hit "Royals." Year: 2014, at the 56th annual Grammy AwardsĪOTY nominees (winner in bold): "The Blessed Unrest" by Sara Bareilles, "good kid, m.A.A.d city" by Kendrick Lamar, "The Heist" by Macklemore & Ryan Lewis, "Random Access Memories" by Daft Punk, "Red" by Taylor Swift "Pure Heroine" was released on September 27, 2013. "But it sucks that whenever we, and I mean guys that look like me, do anything that's genre-bending or anything, they always put it in a rap or urban category." "On the one side, I am very grateful that what I made can be acknowledged in a world like this," Tyler told reporters. "Igor" was shut out of the major three categories and relegated to best rap album, in which it handily won - but seemed out of place. Compared to Tyler, the Creator's best and most ambitious album yet, "7" is undercooked at best. Instead, voters went for "7" by Lil Nas X, a seven-song EP that only hints at the young hitmaker's potential. If the Grammys wanted to honor innovative Black music at the 2020 ceremony, "Igor" was the clear choice. Year: 2020, at the 62nd annual Grammy AwardsĪOTY nominees (winner in bold): "7" by Lil Nas X, "Cuz I Love You (Deluxe)" by Lizzo, "Father of the Bride" by Vampire Weekend, "I, I" by Bon Iver, "I Used To Know Her" by H.E.R., "Norman F-ing Rockwell!" by Lana Del Rey, "Thank U, Next" by Ariana Grande, and "When We All Fall Asleep, Where Do We Go?" by Billie Eilish He received an outrageous, hideous total of zero nominations. (It could and should have won record of the year.)īut somehow, despite creating the most ambitious - and arguably most venerated - album of his career, The Weeknd became the most-snubbed artist of the 63rd Grammy Awards. Not to mention, "Blinding Lights" is an absolute smash. Listening to "After Hours" is a 56-minute commitment every time because you can't afford to miss a second you'd never leave the theatre in the middle of one of Hamlet's existentialist soliloquies. The Weeknd went all-in with this melodramatic, self-destructive character arc, almost akin to a Broadway star, and you're invested in his downfall before you even know it. "After Hours" is so immersive and sensory that it's almost more gloom-pop opera than album. "After Hours" was released on March 20, 2020. "Shameika" was also deservingly nominated for best rock song and best rock performance. Instead, it was only nominated for best alternative music album. I cannot fathom what caused such a truly appalling snub, but "Fetch the Bolt Cutters" should have been a shoo-in for AOTY. Various New York Times critics hailed Apple for her "casually wise," "fearless," "artfully unguarded anthology." I, myself, described it as an "unfettered masterpiece." Pitchfork gave it an almost-unheard-of perfect rating. It was also the most rapturously reviewed album of 2020, by far. It doesn't quite sound like anything else, and it certainly isn't trying to. "Fetch the Bolt Cutters" seems to exist on its own planet, with its own climate and timezone. She used a phone selfie she'd taken off-handedly "two or three years ago" for the album's cover art in the middle of recording "On I Go," she messed up and mumbled, "Ah, fuck, shit." She kept it in the song. Perhaps Fiona Apple's greatest charm as a songwriter and artist is how little effort she can exert to create something inimitable. 3" by Jacob Collier, "Everyday Life" by Coldplay, "Folklore" by Taylor Swift, "Future Nostalgia" by Dua Lipa, "Hollywood's Bleeding" by Post Malone, and "Women in Music Pt. Year: 2021, at the 63rd annual Grammy AwardsĪOTY nominees (winner in bold): "Black Pumas" by Black Pumas, "Chilombo" by Jhené Aiko, "Djesse Vol. "Fetch the Bolt Cutters" was released on April 17, 2020.
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